by Nelson
I always knew there were sequels to Prom Night – a standard fare 80s slasher that featured Jamie Lee Curtis, an annoyingly catchy song, and an elaborate dance routine – I just never had enough interest in the original to look into the follow-ups. I don’t know what compelled me to check out Prom Night II recently. Maybe it was random. Maybe it was fate. Actually, scratch the maybes. It was fate. I thought I loved horror. I thought I loved silly horror. How could I have known what I was missing out on? I hate to admit that it’s true, but I went all these years without Mary Lou.
Mary Lou Maloney was a rebel without a cause. Someone who dared to challenge antiquated, rigid social norms. Someone who went to confession just to brag to the priest about her sexual escapades while scrawling her phone number in the booth. And she loved every minute of it. She’s named the 1957 Hamilton High Prom Queen on the same night that her boyfriend, Billy (played in adult form by Michael Ironside!) catches her cheating on him while simultaneously guzzling whiskey out of a flask. Sadly, her fun comes to an abrupt halt when the jilted ex sets her on fire with a misplaced stink bomb right in the middle of her crowning ceremony. So much for seeing her at the party, Richter. The queen goes up in flames because the whole “stop, drop, and roll” thing seemingly didn’t exist in the 50s and because no one, literally no one, in a packed gym does a damn thing about the burning girl onstage.
Thirty years go by, and the same kid who got away with roasting his date has grown up to become the school principal. While that may seem strange, it’s totally normal compared to the school’s decision to load up all of Mary Lou’s prom gear in a trunk and store it in the “prop closet.” I wish my school had a prop closet. Anyway, Mary Lou’s vengeful spirit is freed from her trunk tomb when Vicki Carpenter opens it in search of a dress for her senior prom because her mother refused to buy her one. Fortunately for her, the best prom dresses are always locked away in the prop closet.
From there, the spirit of the barbecued prom queen wreaks havoc on Hamilton – hanging a girl with her stylish royal cape and tormenting Vicki with an evil rocking horse so terrifying that it is capable of driving you mad if you stare at it too long. Poor Vicki winds up being pulled into a chalkboard/swimming pool portal – allowing Mary Lou to possess her. This leads to even more crazy antics like naked locker room stalking and making out with her dad while her overly religious mother looks on and wishes that she’d just sprung for a new prom dress earlier in the movie because, if she had, her daughter never would have opened the damn prop trunk to begin with. Vicki Lou also keeps the hellish rocking horse. And lovingly caresses it.
Vicki Lou rigs the prom queen vote in an effort to fulfill the moment of glory she was so cruelly denied back in ‘57, but she’s gunned down in the middle of the crowning ceremony by Principal Ironside. That’s right. Hamilton High’s principal opens fire on a high school senior just as she’s being named queen of the prom. Before anyone has a chance to process what they’ve just witnessed, the actual Mary Lou emerges from Vicki’s corpse and goes Carrie on the gymnasium. Ironically enough, her murderous rampage is more justified than Carrie’s. Carrie just got some blood spilled on her. Mary Lou’s boyfriend got mad and set her on fire.
Prom Night II’s conclusion has zero regard for logic or coherency. Billy crowns and kisses Mary Lou – giving her what she was robbed of by his vengeful teenaged angst all those years ago. This…makes her happy, and she goes away. You’ve got to appreciate those evil spirits you can satisfy with a kiss. Vicki reappears in the costume trunk that started all this mess, leaving one to wonder what happened to the corpse in the gym, but, hey, it’s a happy ending…..until Billy reveals that he’s been possessed by Mary Lou and drives off with Vicki and her boyfriend in the back of his car in an ending ripped straight out of A Nightmare on Elm Street.
The movie’s ending isn’t all that’s Elm Street-esque. Hello Mary Lou borrowed several elements from the man of everyone’s dreams – from the death by fire to the surreal, nightmarish imagery, and a possession plot that makes me giggle when I picture how the Walsh family would’ve handled Vicki’s otherworldly ordeal.
If Prom Night II is the Nightmare on Elm Street of the series, then Prom Night III: The Last Kiss is the Freddy’s Dead. And, like Freddy’s Dead, it’s absolutely glorious.
The movie kicks off with Mary Lou as a member of the “forced to dance on hot coals for all eternity” chain gang in Hell. This seems a little cruel and unusual, but, then again, that rocking horse had the potential to undo the fabric of reality. Anyway, thanks to her trusty nail file, Hamilton High’s favorite student escapes her ironic afterlife punishment and returns to her old stomping grounds ready to creatively murder students and faculty for the fun of it. There’s no revenge plot here. Mary Lou just likes killing people. She also wants a new boyfriend because she really just wants to be loved (and who can blame her considering her last relationship), and, after a chance hookup with a dejected senior named Alex, the gymnasium monarch becomes his ride or die – with a big emphasis on “die.”
The Last Kiss goes hard with the comedy, and it’s all the better for it. If a science teacher being murdered by ice-cream cones isn’t must-see material for you, then I’m guessing you’re one of those people who drinks non-alcoholic beer and decaffeinated coffee. Ms. Maloney manifesting a killer ice-cream stand in the middle of Mr. Walker’s Biology lab to pay him back for giving Alex an F is enough to elevate a mere movie into Film territory, but, when she drags the school guidance counselor into a beauty shop and dumps battery acid on her head, you’ve got a genuine cinematic masterpiece on your hands. Oddly enough, a ghost girlfriend comes with perks and benefits that Sarah, Alex’s living girlfriend, can’t compete with. Not only do Alex’s grades improve, Mary Lou manages to somehow make him faster and better at football. Then she handles the team bully by throwing him a football that turns into a big corkscrew midair and leaves the kid literally screwed to the goal post. Did I mention that she’s wearing a football uniform when she does this? ‘Cause she is.
For some reason, Alex thinks the best way of handling the mounting corpses is burying them in the football field, but the whole thing blows up in his face when he makes the tragic mistake of breaking things off with his ghostly gal. The bodies are discovered, and things go rapidly downhill for the unappreciative, gaslighting chauvinist. Mary Lou even appears on television as a reporter on the local news just to inform Alex that he’s taking the blame for the murders right before he’s carted off to prison. Then, Prison Guard Mary Lou helps him escape. This movie is amazing.
Everything culminates in a conclusion so insane that you’ll be thinking about it and wondering why a blowtorch is an effective weapon against the armies of Hell for the next five years. Alex agrees to join Mary Lou for all eternity, and she takes him to an evil version of Hamilton High. Sarah follows to try and set him free and get rid of her undead competition with the aforementioned Holy Blowtorch, but her efforts ultimately don’t pay off. There’s a quick victory fakeout, and the seemingly reunited couple hotwire a car and try to drive it out of the underworld, but, just as they realize that they’re trapped in 1957, Mary Lou pops up in the back seat and kills Sarah. Not everyone has what it takes to be queen.